guns – Josh Stearns

Bill Maher is wrong. It’s as simple as that.

In a Facebook post hours after the tragedy in Newtown, Connecticut, the often provocative talk show host wrote, “Sorry but prayers and giving your kids hugs fix nothing: only having the balls to stand up to our insane selfish gun culture will.”

And Maher wasn’t alone. In the hours that followed the shooting at Sandy Hook Elementary I saw that sentiment echoed across the web. “Stop being sentimental and starting fighting,” people seemed to be saying.

I’m a parent of young children, one of which is almost in elementary school himself. My first response when I heard about the shooting was to hold my family close and tight. In that moment I never wanted to let go.

Continue reading “Hearts and Fists: A Parent on Loving, Fighting and Gun Control”

A while back I did a few posts on guerrilla gardening and guerrilla harvesting that included terms like “seed bomb” (a ball of dirt with seeds in it that one lobs into empty lots in urban areas). At the time, while reviewing links and articles about these topic I stumbled on two odd projects that combine guns and seeds in unexpected ways.

The first was a project called “Plant the Piece” in which the artist created “Seed Guns” made out of “red clay, dry organic compost, and a mixture of annual-perennial species of wildflowers native and naturalized to any area, they can grow when left directly on the surface of the ground.” From the description of the project:

In 2004, the Richmond, Virginia homicide total reached 101. That same year, the traveling art installation, Plant The Piece, memorialized each murder victim by creating a “Gun”. As venues became available, ten original installations containing “Guns” were erected and the public was able to view an unfortunate statistic in an extraordinary light. The exhibit was inspired by the techniques and philosophies of Japanese radical gardener Masanobu Fukuoka. Fukuoka said, “The ultimate goal of farming is not the growing of crops, but the cultivation and perfection of human beings.” Each installation was a unique reflection of it’s host venue and audience. The traveling exhibit was enormously successful as it tackled a most sensitive matter that had no apparent solution. Continue reading “Of Guns and Seeds”